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Papers On Film & Television
Page 23 of 51
Gender,
Race & Class Differences / Films and Television
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me this paper ]
This 10 page research paper examines how gender, race and class
differences has been addressed in films and television in terms of
images, narratives and plots. Specifically discussed are the books
Film Theory Goes to the Movies by Collins et al., Watching Race by
Herman Gray and Visible Fictions by John Ellis as well as the films
Thelma and Louise and She's Gotta Have It. Bibliography lists 5
sources.
Filename: Theory.rtf
Hayao
Miyazaki’s “My Neighbor Totoro” and “Kiki’s Delivery
Service”
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me this paper ]
This 6 page report discusses two movies by Hayao Miyazaki, one of
Japan’s leading if not the leading animator. Miyazaki’s movies
are exceedingly imaginative, and beautifully realized animated
adventures. They have no musical numbers, no wacky animal sidekicks,
no tidy resolutions, and no tie-in toys. Bibliography lists 5
sources.
Filename: BWhayao.wps
Heroes
and the Movies
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me this paper ]
A 5 page research paper that looks toward "High Noon" and
"Crimson Tide," as the writer explains how these movies
portray heroes. Bibliography lists 4 sources.
Filename: 00hitide.wps
His
Method Became The Method
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me this paper ]
This five-page-paper is an in-depth discussion on the development of
Method Acting and the man who invented it. Konstantin Stanislavski
was an actor who developed a step by step process to acting that
involved the use of the actor's own emotions as well as physical
logic. Bibliography lists four sources.
Filename: CWactmet.wps
Hispanic
Women In Film
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me this paper ]
Hispanic women portrayed in American film are discussed in this 8
page paper. Pointed out is the fact that while women's roles have
evolved in the industry the Hispanic female is still stereotyped and
little work is available for serious Spanish actresses. The releases
of such movies as Selena and Evita are discussed. Bibliography lists
7 sources.
Filename: Hispwmn.wps
Horror
Films Psycho & Scream Analyzed
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me this paper ]
This 8 page research paper examines the changes in the horror film
genre from Psycho (1960) to Scream (1996). Specifically explored is
the frame composition employed by Alfred Hitchcock for Psycho
compared to and contrasted with Wes Craven's approach to Scream.
Bibliography lists 6 sources.
Filename: Psyscrem.wps
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