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Papers On Film & Television
Page 33 of 51
Rebellion
Against Authority in "Rebel Without a Cause," "Easy
Rider" and "Thelma and Louise"
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me this paper ]
A 5 page paper which examines how the films "Rebel Without a
Cause," "Easy Rider" and "Thelma and
Louise" deal with the issue of rebellion against authority,
whether it be paternal, social, or men. Bibliography lists 3
sources.
Filename: TGretler.wps
Reds
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me this paper ]
A 5 page paper which discusses the movie "Reds" and
addresses how the movie was filled with content which helped to
illustrate the time period represented. The paper also discusses the
apparent reason for the production of the film. No additional
sources cited.
Filename: RAreds.wps
Roberto
Rossellini and Italian Cinematic Neorealism
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me this paper ]
An 8 page paper which examines the cinematic contributions of
Italian director Roberto Rossellini and his impact on the European
film genre known as neorealism, which emerged immediately following
World War II. Specific concentration will be on the films considered
to be Rossellini's masterpieces, Open City (1945) and Paisan (1946).
Bibliography lists 5 sources.
Filename: Italcine.wps
Romeo
& Juliet Films / 1968 vs. 1996
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me this paper ]
A 6 page comparison of Franco Zeffirelli's 1968 film production of
Romeo and Juliet with the 1996 version directed and produced by Baz
Luhrmann. It concludes that Luhrmann's version, despite its faithful
Shakespearean dialogue, is so far removed from Shakespeare's own
world-view that it can hardly be called an interpretation of the
play at all. No additional sources cited.
Filename: Romeo.wps
Rosetta
(Film Analysis)
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me this paper ]
This 5 page paper critiques the film Rosetta, discussing its
entertainment value. The work is compared with the Wizard of Oz.
Much attention involves the fact that the work is an artistic
achievement but not entertaining. Bibliography lists 4 sources.
Filename: SA012Ros.wps
Saturday
Night Fever / Film Exemplifying 'The Working Class'
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me this paper ]
This 5 page essay examines this film starring John Travolta
sociologically, as it demonstrates the realities of the working
class. Analysis includes the significance of Bobby's suicide as well
as Tony's internal struggles that have much to do with his class
status. No bibliography.
Filename: Satfev.wps
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